动词
发表于 2025-3-21 18:17:47
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Trigger-Point
发表于 2025-3-21 20:17:34
,Bearing Witness in Eustathios of Thessaloniki’s ,: Holocaust Literature and the Narration of Byzantemplars of a modern genre: witness literature. Comparing Eustathios of Thessaloniki’s . (1185/6) with two modern exemplars of Holocaust witness literature, Elie Wiesel’s . (1958) and Primo Levi’s . (1947), can demonstrate how the positionality of the author-witness can provide insight into the subje
wreathe
发表于 2025-3-22 04:16:17
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卷发
发表于 2025-3-22 07:24:07
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表示向前
发表于 2025-3-22 11:56:46
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Hypopnea
发表于 2025-3-22 15:01:49
Pleasure, Pain, Perversity: Reading Byzantine Witness Literature After Auschwitz,erary depictions of suffering, whether fictional or nonfictional? And do those ethical obligations depend upon differences in time, space, language, and culture between the witness and those who are the audience of witness literature? The conclusion thus focuses less on the witness and more on those
CRASS
发表于 2025-3-22 20:37:12
Book 2021other victims of historical atrocity. It focuses on such episodes in three nonfictional texts – John Kaminiates’ .Capture of Thessaloniki. (904), Eustathios of Thessaloniki’s .Capture of Thessaloniki .(1186), and Niketas Choniates’ .History. (ca. 1204–17) – and the three extant twelfth-century Komne
motor-unit
发表于 2025-3-23 00:41:22
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不妥协
发表于 2025-3-23 03:02:22
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Kindle
发表于 2025-3-23 07:05:22
,Prison Literature and Slave Narratives in Byzantium: John Kaminiates’ ,ross the sea, Kaminiates’ letter is read in parallel with African and African-American slave narratives, such as the . (1789), with a focus on the interrelationship among subjectivity, narrative, memory, and trauma.