DEMUR 发表于 2025-3-23 13:24:28
http://reply.papertrans.cn/103/10278/1027749/1027749_11.pngpatella 发表于 2025-3-23 17:26:58
Marcel Beyer industry, although it is open to debate how much the collapse of an industry under pressure from competition is a direct result of that competition or how much is a direct result of an inability to accept and manage change and to make sound investment in the renewal of industry. Japanese industry h性行为放纵者 发表于 2025-3-23 18:59:30
978-3-030-09718-9The Editor(s) (if applicable) and The Author(s) 2018不断的变动 发表于 2025-3-24 01:19:25
http://reply.papertrans.cn/103/10278/1027749/1027749_14.pngArrhythmia 发表于 2025-3-24 04:23:19
Introduction: What Is Zoopoetics?,Introduction to the volume‚ in which we first provide an outline of our conception of “zoopoetics” as both a theory and a method‚ before giving an overview of the individual contributions to the volume.范例 发表于 2025-3-24 08:25:28
Coda: Speaking, Reading, WritingIf it alights on the doorstep I hear a gentle . when its claws touch the metal. An accidental sound, which nevertheless serves to establish contact, and which over the years has become a sort of signal: I look up from my computer screen and see the tit looking at me. That is all it needs to do in order to address me.growth-factor 发表于 2025-3-24 13:18:24
Kári Driscoll,Eva HoffmannMoves away from traditional literary criticism, which has been marked by the tendency to disregard the ubiquitous animal presence in literary texts, or shown determination to read animals simply as meFillet,Filet 发表于 2025-3-24 16:11:12
Prelude: I Observe with My Pen,ct art above the living room sofa, unsigned, “Untitled.” A steel-reinforced cell at the US Army Disciplinary Training Center between Pisa and Viareggio. A series of photographs taken in the sun-filled Orangutan House at the Schönbrunn Zoo. Three tooth-marked pencil stubs. I observe with my pen.Engaging 发表于 2025-3-24 20:11:14
Palgrave Studies in Animals and Literaturehttp://image.papertrans.cn/w/image/1027749.jpg善辩 发表于 2025-3-25 00:24:26
https://doi.org/10.1007/978-3-319-64416-5Symbol; Derrida; Language; D; H;Lawrence; Rilke; Species; Animals; Embodiment; Performance; Fiction; Posthuman