酷热
发表于 2025-3-25 03:37:35
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下垂
发表于 2025-3-25 11:29:07
Advances in Endophytic Fungal Researchpes … to the narrative apparatus.”. The physical book that is present is almost always understood as a vehicle for the conveyance of a text, a sign of a mental intention, imaginary object, or field of reproducible signifiers with which customers may play, if they like it, and buy.
CLASP
发表于 2025-3-25 12:11:17
Advances in Endophytic Research writes to Cornelius Matthews: “I am glad that I gave the name of ‘Poems’ to the work instead of admitting the ‘Drama of Exile’ into the title-page and increasing its responsibility; for one person who likes the Drama, ten like the other poems.”
miscreant
发表于 2025-3-25 16:16:32
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ULCER
发表于 2025-3-25 22:36:03
https://doi.org/10.1057/9781403979537drama; poem; Print; British and Irish Literature; literary diction
山崩
发表于 2025-3-26 00:58:49
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影响
发表于 2025-3-26 05:26:32
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medieval
发表于 2025-3-26 11:40:39
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plasma
发表于 2025-3-26 13:37:43
Advances in Endophytic Fungal Researcha physical object. Literary definitions of the “text” or the “work” have not traditionally treated the book-as-object as essentially meaningful: in traditional accounts, the “text” is an arrangement of words that can appear in any physical presentation, and the “work” is an abstract mental entity in
Flinch
发表于 2025-3-26 17:20:30
https://doi.org/10.1007/978-81-322-1575-2n. … were not things of meditation, but imagined and uttered in the same breath”; the poems in which “her individual feelings are eagerly put forth” include those “wherein aspirations after another world are expressed, or which breathe the weary pining language of home sick