画布
发表于 2025-3-30 11:40:26
Book 1989ch nicht vollständig katalogisierter Korrespondenz bringt. Dieser Band wird sowohl dem Fachhistoriker wie dem an der modernen Physik interessierten Leser einen guten Einblick in das Leben und Werk Walther Gerlachs geben.
Popcorn
发表于 2025-3-30 13:45:44
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不舒服
发表于 2025-3-30 19:54:57
hronic or synchronic effects by acting on those signifiers. Videogames make use of computers’ capabilities to present a very large set of these signifiers and thus generate highly complex forms of temporal experience. Because neither diachrony (exemplified by player performance) nor synchrony (compu
Buttress
发表于 2025-3-30 21:41:54
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考得
发表于 2025-3-31 04:27:41
Hans-Reinhard Bachmann,Helmut Rechenberg examples.Considers the cultural significance of evil.Performativity of Villainy and Evil in Anglophone Literature and Media. studies the performative nature of evil characters, acts and emotions across intersecting genres, disciplines and historical eras. This collection brings together scholars an
Adenoma
发表于 2025-3-31 05:24:50
ät.Interdisziplinär und intermedial erforscht und dargestellDie Bedeutung von Populären Kulturen sowie von Popkulturen kann nicht ohne einen Bezug auf Performativität und Medialität begriffen werden. Mit diesem Bezug bilden sich zugleich Kulturen des Performativen und Medialen heraus. Dieses Thema i
FID
发表于 2025-3-31 10:23:38
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低三下四之人
发表于 2025-3-31 13:40:22
January 2011. It began when the 300 men — all asylum seekers and economic migrants — embarked on a hunger strike in order to pressurize the Greek government into paying attention to their demands for legal status. I examine this event as a means of practising resistance and as a spectacle that draw
magenta
发表于 2025-3-31 21:36:19
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Patrimony
发表于 2025-3-31 22:27:03
Hans-Reinhard Bachmann,Helmut Rechenberg, on interaction and exchange. A dead or lifeless arrangement (taxis) of skin (derma) seems the furthest thing from the liveliness/liveness of theatre and theatrical languages. Yet, as theatre scholar/director Herbert Blau has famously written, the theatre’s power is driven by the fact that the acto