Instantaneous
发表于 2025-3-23 11:13:56
Erasing the Traces, Tracing Erasures: Cultural Memory and Belonging in Newcastle/Gateshead, UK, The Sage, Gateshead, one of a number of flagship buildings built since the Millennium in the UK, seeking to revitalize the iconography of former industrial cities. In the case of The Sage, a recent addition to the Tyneside. skyline completed in 2004 and designed by ‘starchitect’ Sir Norman Foster,
不在灌木丛中
发表于 2025-3-23 16:48:44
Erasing the Traces, Tracing Erasures: Cultural Memory and Belonging in Newcastle/Gateshead, UK, The Sage, Gateshead, one of a number of flagship buildings built since the Millennium in the UK, seeking to revitalize the iconography of former industrial cities. In the case of The Sage, a recent addition to the Tyneside. skyline completed in 2004 and designed by ‘starchitect’ Sir Norman Foster,
残废的火焰
发表于 2025-3-23 20:30:25
,‘Sunshine and ,’: Benjamin, Kracauer and Roth Visit the ‘White Cities’,you notice he is smiling in a curious manner — a smile that is conventional, ceremonial, cold, calculated. You are now almost within touching distance. Suddenly the smile vanishes; the cloak is moved swiftly aside. There is a glint of something metallic in the bright sunlight and then a terrible pie
EVEN
发表于 2025-3-23 23:51:49
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vascular
发表于 2025-3-24 03:55:04
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面包屑
发表于 2025-3-24 07:34:42
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BIPED
发表于 2025-3-24 14:18:22
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不能仁慈
发表于 2025-3-24 16:15:15
,Fashion and Its ‘Revolutions’ in Walter Benjamin’s ,usly unfinished work was to ‘document as concretely as possible … the scene of revolutionary change that was the nineteenth century’ (., 1999, p.xii). Perhaps not surprisingly, this era of rapid transition was the period that gave rise to fashion both as a material object (for example, couture) and
Override
发表于 2025-3-24 22:28:25
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FACET
发表于 2025-3-25 01:34:25
,Proof of the Forgotten: A Benjaminian Reading of Daguerre’s Two Views of the Boulevard du Temple,est manifestations, the daguerreotype, was less about mass reproduction than about magical replication and a shockingly new relationship between the past and the present. Although a number of inventors had been working toward the development of the photographic process, Louis-Jacques-Mandé Daguerre’