lumbar-puncture 发表于 2025-3-21 18:31:09
书目名称21st-Century Narratives of Maternal Ambivalence影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0100530<br><br> <br><br>书目名称21st-Century Narratives of Maternal Ambivalence影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0100530<br><br> <br><br>书目名称21st-Century Narratives of Maternal Ambivalence网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0100530<br><br> <br><br>书目名称21st-Century Narratives of Maternal Ambivalence网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0100530<br><br> <br><br>书目名称21st-Century Narratives of Maternal Ambivalence被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0100530<br><br> <br><br>书目名称21st-Century Narratives of Maternal Ambivalence被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0100530<br><br> <br><br>书目名称21st-Century Narratives of Maternal Ambivalence年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0100530<br><br> <br><br>书目名称21st-Century Narratives of Maternal Ambivalence年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0100530<br><br> <br><br>书目名称21st-Century Narratives of Maternal Ambivalence读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0100530<br><br> <br><br>书目名称21st-Century Narratives of Maternal Ambivalence读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0100530<br><br> <br><br>激怒 发表于 2025-3-21 21:01:48
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https://doi.org/10.1007/978-3-662-34450-7riarty. Drawing on its source material, the show deploys a series of dichotomous maternal pairings wherein so-called good mothers are pitted against bad. These contribute to, and amplify, the various characters’ maternal ambivalence. Despite their seemingly perfect lives and the fact that many of thCRUC 发表于 2025-3-22 17:04:19
https://doi.org/10.1007/978-3-662-34450-7aking and decolonisation. The film is comprised of eight loosely related episodes connected by a series of constraints and which feature a Māori female protagonist grappling with the death and tangi (funeral) of a young child, Waru (eight in Māori). Ultimately, .’s kaupapa (vision or purpose) is toFortuitous 发表于 2025-3-23 00:13:11
Methoden der Parameterbestimmung,ding the second-wave’s somatophobia, as well as more recent feminist film theorising of the monstrous-feminine. I consider Julia Kristeva’s canonical work on matricide and abjection in some detail, alongside Imogen Tyler’s thoughtful rebuttal of Kristeva’s theory. I argue that, together, these discu愤慨一下 发表于 2025-3-23 05:10:48
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