lumbar-puncture 发表于 2025-3-21 18:31:09

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激怒 发表于 2025-3-21 21:01:48

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或者发神韵 发表于 2025-3-22 02:02:44

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中国纪念碑 发表于 2025-3-22 07:49:40

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atopic 发表于 2025-3-22 09:32:48

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BILK 发表于 2025-3-22 16:19:37

https://doi.org/10.1007/978-3-662-34450-7riarty. Drawing on its source material, the show deploys a series of dichotomous maternal pairings wherein so-called good mothers are pitted against bad. These contribute to, and amplify, the various characters’ maternal ambivalence. Despite their seemingly perfect lives and the fact that many of th

CRUC 发表于 2025-3-22 17:04:19

https://doi.org/10.1007/978-3-662-34450-7aking and decolonisation. The film is comprised of eight loosely related episodes connected by a series of constraints and which feature a Māori female protagonist grappling with the death and tangi (funeral) of a young child, Waru (eight in Māori). Ultimately, .’s kaupapa (vision or purpose) is to

Fortuitous 发表于 2025-3-23 00:13:11

Methoden der Parameterbestimmung,ding the second-wave’s somatophobia, as well as more recent feminist film theorising of the monstrous-feminine. I consider Julia Kristeva’s canonical work on matricide and abjection in some detail, alongside Imogen Tyler’s thoughtful rebuttal of Kristeva’s theory. I argue that, together, these discu

愤慨一下 发表于 2025-3-23 05:10:48

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projectile 发表于 2025-3-23 07:45:18

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查看完整版本: Titlebook: 21st-Century Narratives of Maternal Ambivalence; Rachel Williamson Book 2023 The Editor(s) (if applicable) and The Author(s), under exclus