ED431 发表于 2025-3-21 17:28:41

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ALIEN 发表于 2025-3-21 21:23:49

Patrick Damme,Dirk Habich,Wolfgang Lehnernt via the recreation of visceral experience.. Impossible to define as a genre due to the fluidity of forms explored, this performance style places emphasis on the human body as a primary force of signification and utilizes the ever-increasing possibilities in design and technology. In addition to t

整顿 发表于 2025-3-22 03:47:53

Two Phase User Driven Schema Matchingl term to define a neurological condition where a fusing of sensations occurs when one sense is stimulated which automatically and simultaneously causes a stimulation in another of the senses. An individual may perceive scents or words for certain colours, or a word as a particular smell, or experie

巫婆 发表于 2025-3-22 07:19:16

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octogenarian 发表于 2025-3-22 12:17:33

Vangelis Banos,Yannis Manolopoulosf a corporeal memory. Put simply, we . the performance in the moment and recall these feelings in subsequent interpretation. The nature of such appreciation engages a double-edged making-sense/sense-making process. This can affect an ineffable quality; a (syn)aesthetic-sense. The (syn)aesthetic styl

Fibrinogen 发表于 2025-3-22 15:55:42

Cost Model for Pregel on GraphXnating in an auditorium. When you’re sat in an auditorium, the primary thing that is accessed is your mind and you respond cerebrally. Punchdrunk resists that by allowing the body to become empowered because the audience have to make physical decisions and choices, and in doing that they make some s

incisive 发表于 2025-3-22 19:42:45

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雪上轻舟飞过 发表于 2025-3-22 23:22:54

Jan Sedmidubsky,Pavel Zezula,Jan Svecs and generations of information, cultural, educational, religious, political and so on. Then with each generation the body transforms, takes that information and responds to the environment that we live in. For me, everything that you expose to it, particularly as a child, is crucial. That is where

Feature 发表于 2025-3-23 03:13:10

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abysmal 发表于 2025-3-23 08:41:22

Michael Shekelyan,Anton Dignös,Johann Gamperhat you’re actually doing it as a play. It’s very difficult to disassociate myself now from what we ended up with, and how easy and simple it seems in a way. To start with the main drive that we all had was to understand as much as we could. We cut it up into sections and we titled each section. The
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查看完整版本: Titlebook: (Syn)aesthetics; Redefining Visceral Josephine Machon Book 2009 Palgrave Macmillan, a division of Macmillan Publishers Limited 2009 aesthe