Projection
发表于 2025-3-28 16:59:46
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温室
发表于 2025-3-28 22:08:24
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遵循的规范
发表于 2025-3-29 01:04:23
RawVis: Visual Exploration over Raw Datat the core of Duncan’s critique of the modernist poetic tradition is his analysis of the composite relation of images to songs, as well as an effort to appropriate neither as . poetic techniques. Duncan disavowed the modernist poet’s penchant for long poems with plans and claimed that his “endless”
死亡率
发表于 2025-3-29 05:53:56
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Glossy
发表于 2025-3-29 09:42:59
Database-Centric Scientific Computingess. Take, for example, his discussion of “the crisis of the work for the critic” in his 1972 preface for the republication of . (1955) (., ii). There, Duncan attributes M. L. Rosenthal’s adverse reaction to “A Sequence of Poems for H.D.’s Birthday” (1959) to the critic’s own anxiety about the poem’
首创精神
发表于 2025-3-29 12:34:29
Selecting Sketches for Similarity Searchesn’t come from . them or . them but from reading them. For all that can be said about Duncan’s writing, too little has emerged about what a dedicated, inventive reader he was. . is replete with the evidence of his far-flung, elaborate, and creative reading, from Greek myth to newspapers. He discove
难理解
发表于 2025-3-29 19:01:10
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FELON
发表于 2025-3-29 20:51:23
Lecture Notes in Computer Sciencepon derivations and source material. That is, the title alludes to the question of its own sources, as if to ask, what is the groundwork for this work; what has led to its inception? We could answer these implied questions simply by listing any of the numerous allusions and quotations in ., citing D
行业
发表于 2025-3-30 02:02:25
Lecture Notes in Computer ScienceWhat key texts, names, and signators “underwrite the grand design” ., 272)? To what extent is . underwritten?. This paper proposes to take a few soundings and probes into the groundwork of Duncan’s last omnibus volume to try to begin answering these questions.
MIME
发表于 2025-3-30 04:05:45
Lecture Notes in Computer ScienceOn February 24, 1973, Robert Duncan published the following quatrain as a broadside from Ārif Press: