凶兆 发表于 2025-3-25 05:20:48
https://doi.org/10.1007/978-3-031-10078-9picture, but rather to offer a series of vantage points on the multiple and shifting cultural domain of the (post)apartheid situation. By way of conclusion then, I wish to stress a few points of relevance to this attempt to grasp the temporality implied by many of this social formation’s underlying psychical mechanisms.灾难 发表于 2025-3-25 08:04:29
http://reply.papertrans.cn/11/1001/100081/100081_22.png无情 发表于 2025-3-25 14:39:46
Shengzhi Qin,Qiaokun Wen,Kam-Pui ChowMay 2008, various contributors wrestled with the question on the lips of many international commentators at the time. How did this brutality, which seemed to echo the worst township violence of the apartheid era, happen a decade and a half later, in a ‘post-reconciliation’ nation? As Worby et al. (2mettlesome 发表于 2025-3-25 19:39:43
http://reply.papertrans.cn/11/1001/100081/100081_24.png沟通 发表于 2025-3-25 22:07:56
Thomas Göbel,Frieder Uhlig,Harald Baierse interest groups. This is not necessarily a situation to be avoided: such moments of hegemony indicate that a legacy is alive and well; that a given heritage, no matter how contested, has become a part of the popular imaginary of a given culture. Nonetheless, in such instances one is justified in敬礼 发表于 2025-3-26 02:06:11
http://reply.papertrans.cn/11/1001/100081/100081_26.png不发音 发表于 2025-3-26 06:00:57
http://reply.papertrans.cn/11/1001/100081/100081_27.pngNICE 发表于 2025-3-26 08:44:44
Martin Lukner,Thomas Göbel,Harald Baieron of melancholia, might illuminate facets of the Apartheid Archive narratives introduced in the foregoing chapter. This chapter and its precursor are both thus concerned with apartheid’s ‘lost attachments’. Here, however, I shift from a focus on strategies of textual reading practice to a critical偶像 发表于 2025-3-26 13:34:37
Advances in Digital Forensics XVIII coming-of-age novels, but also in scholarly writing, academic conferences. and popular youth culture. A particularly pronounced example of the latter is to be found in . rap music, which draws heavily on a ‘white trash’ Afrikaner aesthetic, ironically deploying types of Afrikaner culture formed durPeculate 发表于 2025-3-26 18:06:05
https://doi.org/10.1007/978-3-031-10078-9constitute a psychosocial intervention into the (post)apartheid context.My ‘method’ in this respect was to utilize one or more psychoanalytic concepts so as to read facets of (post)apartheid sociality. The second undertaking — regarding which I have made a far more modest advance — was to consider h